For years, I have shaped wood and ebonite into handcrafted writing instruments, creating pens that embody both craftsmanship and functionality. The grain of fine hardwoods, the rich warmth of ebonite—each material tells a story, and each pen carries the touch of handmade artistry. But as any artisan knows, the journey never truly stops; it only expands. That’s why I’ve taken on a new challenge: mastering the ancient Japanese art of urushi lacquer.
Urushi is more than just a finish. It is an art form, a tradition that dates back thousands of years, and a process that demands patience, precision, and deep respect for the material. Derived from the sap of the urushi tree, this lacquer hardens over time to create a durable, lustrous surface that enhances both the beauty and longevity of a piece.
As I step into this world, I am humbled by its complexity. Unlike conventional finishes, urushi does not simply dry—it cures, undergoing a slow transformation in a humid environment. Each layer must be applied with care, allowed to set properly, and then polished before the next layer is added. It is a time-intensive process, but the result is unparalleled: a depth of color and texture that no synthetic finish can replicate.
My first attempts at working with urushi have been challenging. Learning to prepare the surface, to mix the lacquer properly, to apply it in smooth, even layers—each step requires practice and refinement. And then there is the magic of experimentation: combining traditional techniques with my own aesthetic sensibilities.
One of the most interesting aspects of this journey is exploring the many variations of urushi. Rōiro-nuri, with its deep, glass-like gloss. Ishimeji, which mimics the feel of stone. Maki-e, where gold and silver powders are embedded into the lacquer to create intricate designs. Each of these techniques opens new doors for creativity and storytelling through design.
My goal is not just to apply urushi, but to understand it—to let it shape my approach to craftsmanship in the same way that wood and ebonite have. It is a long road, and I am still in the early stages. But that is the beauty of being a pen maker: there is always more to learn, always more to explore.
As I refine my skills and experiment with urushi finishes, I look forward to sharing the results with fellow pen enthusiasts. There is something about holding a pen that carries not just the essence of fine materials, but also the weight of history and tradition. And for me, the joy is in the process—the quiet, meditative act of building something beautiful, layer by layer, stroke by stroke.
To those who love handcrafted fountain pens, to those who appreciate the beauty of traditional techniques, and to those who, like me, find joy in the pursuit of mastery—this journey is for you. Stay tuned for updates, insights, and, of course, pens that tell their own stories through the timeless beauty of urushi.
Image source: https://www.goenne.com/what-is-urushi
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